Welcome to Descant Magazine
Important Notice From the Editor in Chief of Descant magazine
From the Editor in Chief of Descant magazine
After long and painful negotiations and deliberations for four years, with the literary and arts community, with the arts councils and donors, with our co-editors, and our foundation directors, we have jointly decided that Descant magazine in its present form is no longer sustainable.
In A Cabinet of Curiosities, Descant 167, Winter 2014, will be our final issue.
This has been a very hard decision to make. For the last three years Descant has been in a deficit position, and as head of the Descant foundation and Editor in Chief of the magazine, I carry all the debts.
Our vigorous fund-raising campaign this fall was very successful and I want to thank all of you who donated to the magazine. Unfortunately, we did not raise enough money to offset the shortfall. Grants have been in decline for more than five years, although other revenues such as sales and subscriptions have held steady or increased. We have cut costs everywhere we could, but many expenses over which we have no control have continued to spiral up.
I have personally searched for a solution, but have been unable to find either a patronage base or an editor (or editorial collective) to replace myself and take over the magazine, and be responsible for its publication and its foundation.
Descant has an enormous community. It is an international magazine with a strong focus on Canada and on emerging artists. We have trained dozens of interns, hundreds of editors have worked with us over the years, and thousands of writers and visual artists and musicians and dancers have been published in our pages.
Our issues have examined cities, like Venice and Berlin, countries like China and Latvia, regions like North Africa, artistic practices like music. We have published special issues on writers, Michael Ondaatje, Dennis Lee, Barbara Gowdy, and composers, R. Murray Schafer, themes like History of the Book, Romantic Love, Hotels, Fashion.
We couldn’t have done it without all of you.
We are now in production with our Winter issue, number 167, and the launch date will likely be late January 2015. We are also planning a huge celebration on the cusp of Spring. Check this site for news or send the office an email to get on our email list.
The co-editors and I are proud to have been able to publish for so many decades. It has been a pleasure and a privilege. We thank you all.
Coming soon: D166 — The Berlin Project
Take your protein pills and put your helmet on — Descant 166 is counting down to launch!
Entering the city at the centre of the 20th century from unexpected angles, our 30+ contributors have returned to fill D166: The Berlin Project with the fractious, energetic and thoughtful energy of Germany’s capital. The issue hits newsstands in early September.
Can't wait? Get a sneak peak right now by clicking over to the D166 webpage.
Then be sure to visit our Facebook pages to learn about our TWO launch events (an account is not needed to view these):
Toronto, September 19
Four energetic and moving readers will perform from their pieces and our gracious hosts at the Goethe-Institut Toronto will provide refreshing drinks and delicious finger foods in their extensive and remarkable library of rare and uncommon books. Costumes are highly encouraged! Be creative!
Descant 165: A Summer Reader is Launching!
Summer, the season you've been waiting for, is finally here. Instead of packing your suitcases and boarding long flights to who knows where, sit back with a glass of wine, thumb open the latest issue of Descant and allow yourself to be transported to tropical destinations, modest towns, marvellous cities and the interior landscapes of sundry personae.
Our summer issue is almost here and we are celebrating the launch on Tuesday June 17th at Pauper's Pub. Join us for food, prizes and readings. Listen to wonderful work by some of the best of Toronto’s established and emerging writers. Pick up discounted issues and subscriptions. Mingle with authors, artists, editors and friends. Look here for more details on the event, readers and raffle prizes!
Descant 164: Cartooning Degree Zero: Launch Party
Announcement: 2014 Winston Collins/Descant Prize for Best Canadian Poem
Descant is pleased to announce the 2014 Winston Collins/ Descant Prize for Best Canadian Poem valued at $1000!
The winner of the 2014 prize is Andy Verboom for his poem, "Rite"
Rite is a beautifully anarchic, even witchy poem: a detail-heavy tale of euphoric conflagration, a demon-lover’s catalogue of things and ideas sacrificed to fire. Academic knowledge of every conceivable kind is incinerated – “Commit it then to the flames: for it can contain nothing but sophistry and illusion,” David Hume enjoined against all system-building metaphysics. Insects, fruit, writing instruments, and notebooks all meet the same fate. There are arresting phrases throughout: ‘plashing / of plastic bags’, ‘Lascaux-style genitals’, ‘Pencils turn charcoal, their erasers / harder nipples’. Partly a sort of a high-toned version of Alice Cooper’s School’s Out for Summer, partly a perverse but gorgeous lover’s-quarrel-with-the-world anti-poem, this neatly enjambed lyric is, finally, a funny and moving paean to fire. Like so many excellent poems, it communicates its own ars poetica even as it instantiates that position. Destruction, it says with quiet glee, is the linking concept of all language, ritual, human interaction, indeed life itself.
Descant 163: The Brink and the Break Prepares for Launch
Descant will be launching its newest issue, The Brink and the Break. This issue explores endings and the start of things anew, as the pieces skillfully straddle the line between breaks and near-breaks in relationships, workplaces and homes.
The launch will be at Charlie's Gallery, 112 Harbord Street (at the corner of Harbord and Robert), on January 23rd, 2014 at 7 p.m. Contributors will be reading pieces from the issue, featuring poetry by George Elliott Clarke, Rocco de Giacomo, Cathy Petch and John Ryan Scrivener, and fiction by Sharon Overend and Lori Vos. RSVP on Facebook!
Can't wait that long? Check out some of the artwork and excerpts from the issue here.
Coming out soon, Descant 162: Masala, issue and launch!
This issue of Descant traces the journey taken by many from the Indian subcontinent over the past two centuries during British colonial rule and beyond. Multi-layered and largely undocumented, it offers a glimpse of modern world history through fresh eyes.Masala presents stories from across the globe, picking up the scents, sounds and rhythms of the Indian diaspora through both historical and contemporary settings.
We would love for you to attend our launch for this exciting issue! This will be held on the evening of the 16th of October, at No One Writes to the Colonel in Toronto. Follow this link to our Facebook page for more information.
To see more about the issue itself, exclusive excerpts and the table of contents, click here.
Our summer issue, Descant 161: Into the Unknown, is out now!
Patrick Roscoe brings a mute boy who eats dirt and his long-suffering mother in a South American village.
A little clown tries to find its origin in a bleak world by Hugh Graham.
At Lake Huron, Trista Gilbert reminisces of childhood memories and the memories of the local history.
With Al Purdy, Liza Kobrinsky finds comfort in the noisy silence of kettles and radios at home.
Artist portfolios include photographs by Eliane Ling and Hall Jameson, and the photomontages of Mark Rappaport
Also included is this year’s Winston Collins/Descant Poetry Prize for Best Canadian Poem winner John B. Lee for his poem “Bringing the Farmhouse Down” a blunt discourse on beauty and past life.
Poetry and prose come from Richard Greene, Shane Neilson, Beth Goobie and Kildare Dobbs.
Fiction, poetry and memoirs about God, dogs, subway conversation and more from Dave Margoshes, Randall Brown, Eugene R. Baker, Hunter Liguore, Trevor Laurence Jockims and Richard Farrell.
Mark Kingwell discuses the insidious enemy in our neighbourhoods and cities, while Paul S. Fowler stresses on the over-anxiety of Y2K.
Now out! Descant 160: The Hidden City
This issue of Descant explores the hidden parts of a city — both its terrain (underground rivers, back alleyways, horse palaces) and its inhabitants (an aging machine operator, a homeless father and his son, a philosophizing baker and more).
Whether it’s under a bridge, along a back alley, inside a factory, down the sewers, in a town square, at a youth centre, or in catacombs, the writers and artists in this issue of Descant uncover the many layers of a city. Get ready to explore the untold concealed corners of Italy, Toronto, Montreal, Vancouver, Inuvik, Vietnam and more.
If interested in attending the launch event at the Handlebar, check out the event details here.
Winston Collins Prize Announcement, Wednesday February 20th 2013
The Descant Arts & Letters Foundation is pleased to announce the winner of the Winston Collins/Descant Prize for Best Canadian Poem for 2013.
“Bringing the Farmhouse Down”
By John B. Lee
The Winston Collins/Descant Prize for Best Canadian Poem is an annual prize awarded in memory of Winston Collins, writer and enthusiastic teacher of literature at the universities of Cincinnati, Princeton and Toronto. This prize, established in 2007, perpetuates his remarkable talent for encouraging self-expression through writing. The winner receives an award of $1000 and is published in an issue of Descant.
The judges for this year’s prize, Mark Kingwell and Leanne Shapton, provided Descant with a statement describing their choice:
"Bringing the Farmhouse Down" deftly and tenderly evokes the past life of a family home with refreshingly unsentimental texture. There is a wealth of concrete detail in the description of the house’s destruction, an act evoked with precise, even blunt, language that nevertheless reveals the aura of beauty that can surround things in our tough material world: "from the peen-bruise of the punched studs / and the dry-lime fragrance / of the splintering slats." The short lines, hyphenated adjectives, incidental rhyme, and alliteration create a jangly Anglo-Saxon rhythm reminiscent of Hopkins, just as the close attention to objects and tools recalls Ted Hughes or Galway Kinnell: "in the long hall / the wicker wheelchair / winced like a toy / while the girls played / broken-legged doll." Thematically, we found the shifts in time particularly effective in executing the major conceit and house-as-memory, and acknowledging the delicate, ever-haunted structures we call consciousness and identity. The poem works like a tiny ghost story: images, voices, and children gliding in and out of its rooms.
For more information about the prize, John B. Lee and the judges click here.