I’ve been thinking of the consequences of a writer growing up in a house without books. Not a dictionary nor an encyclopedia, not even a newspaper. My parents were literate in their native language (Italian) and moved smoothly from Sicilian dialect to Italian in speech. They spoke English well, having been here since the early 50s and owning their own business. They wrote in Italian as well. They valued education a great deal. But … they had no interest in reading whatsoever. The habit of reading in others was a considered a wasteful (and puzzling) enterprise.
I came to reading later, much later than most perhaps for someone who enjoys reading. It was in my late teens and it began as a result of not wanting to deal with people I now think. I was the typical sullen, unhappy teenager. I was often chastised by my mother when “caught†with a book in my bedroom. It was almost as if I had been caught with a bag of weed or a condom. There was work to be done! Why wasn’t I sweeping or cleaning up or getting ready for the numerous responsibilities of the family business (this involved maintaining a vendor’s stall at the Farmers Market in Hamilton where I grew up). It was an all consuming family enterprise. To be fair, my mother was dealing with her own many griefs and frustrations then.
With my nose stuck in a book did that not scream – leave me alone I’m reading! I read at work, between serving customers, while standing behind the stall (don’t read – it looks like you’re not ready to serve people!). I read at home (don’t you have something to do?). I consumed school related texts.
So I drifted into reading and fell in love with Gatsby and Daisy. Lizzie and Darcy. Anna and Vronsky. Becky Sharpe. Fully expecting them to love me back.
There is a great discussion thread going on over at the Guardian Online’s art blog on whether artists and critics can or should be friends. Given the way these kinds of relationships impact the Canadian reviewing scene, be it in art, music or literature, it’s somewhat reassuring to know that scenes everywhere (even in the hallowed, and supposedly sprawling) London scene can get uncomfortably cozy at times.
On the flipside, of course, it’s also frustrating to see this kind of dynamic reproduced at the level of so many cultural scenes, no matter how large or small they may seem.
An alt-weekly I once worked at tried to remedy the problem of “friendocracy” by refusing, for a time, to review anything one of their staff members was involved in. Unfortunately, because many of their staffers did lead double lives as theatre directors, rock n roll bassists, or gallery artists, and because the city it covered was relatively small, this wasn’t the best solution.
What is the best solution? I’m going to keep thinking on this; let me know if you have any insights.
Carousel is pleased to announce its 1st contest, a cut-n-paste call to arms!
The 2007 Follow the Asterisk [ * ] Postcard Competition
DEADLINE FOR ENTRIES: Postmarked by April 15, 2007
……Details + contest rules?
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Website: carouselmagazine.ca
Myspace: myspace.com/carouselmag
Comments: carouselbook@yahoo.ca
For those of you whose interest in Cuba’s innovative artistic scene was sparked by Descant 134 Cuba Inside/Out, Descant recommends taking a peak at PARACHUTE Magazine’s latest, and sadly, last issue, which also focuses on Cuban artists.
PARACHUTE’s Cuba-themed issue 125 includes writing, art and photography from Carlo Garaicoa, Magaly Espinosa, Orlando Hernandez, Eugenio Valdes Figueroa, Magda Gonzalez-Mora Alfonso, Elvia Rosa Castro Martin, Hector Anton Castillo and others.
For more information about PARACHUTE’s decision to suspend publication, visit www.parachute.ca

So many great art events happening tonight and in the next few days across Canada that it’s enough to make me want to build my own time-space transmogrifier overnight. Yeah. We’ll see how that works out. But here’s an overview depending on where you are:
Halifax: Imaging a Shattering Earth: Contemporary Photography and the Environmental Debate – A great overview of photography in this realm including work by Burtynsky, Gown, and Rudewel; opened January 12
Montreal: Conceptual Cartographies – Really interesting work on mapping, with a talk, Imagined Geographies, tonight (January 18)
Ottawa: Dollar Store Dollarama by Colwyn Griffith – An Ottawa-raised, New York-based artist exposes the landscapes of “plenty” in dollar stores. Opens tomorrow (January 19)
Toronto: Elapse I & II by k.g. guttman This book/artwork by Montreal-based guttman documents an unusual group performance where a party was held one night and meticulously recreated the next. Opens tonight.
Saskatoon: Conex-Us – In this show, which opens tomorrow night, curator Adrian Stimson explores the process of curating itself with the assistance of 12 Saskatoon artists.
Calgary: The Annie Pootoogook show, which opened last week at Illingworth Kerr Gallery, is not to be missed; Pootoogook has been invited to the upcoming Documenta in Kassel.
Vancouver: ATSA’s upcoming actions and documentation at grunt gallery provide a formula for trule encouraging social change in an artmaking context.
Happy time and space travelling!

Toronto artist Diane Borsato, last in the local public eye for her coordination of tangoing police officers on city streets for her piece How to Respond in an Emergency, is back up to some public art hijinx this month — and she’s looking for others to join her. For January 28th’s Snowbank, Borsato’s plan is to move — you got it — a snowbank from downtown Toronto to York University by subway.
To find out more about her and to volunteer, click here. If you’re scared, take heart; I held a dead hare at an art fair for Borsato a few years back, and I’m better for the experience.
Wednesday, January 31, 2007 @ 7:30pm
The Social: 1100 Queen St W, Toronto
Copies of our new 280 page volume, 135: Bibliomania 2, will be available for purchase at this free event!
A convivial evening of readings and revelry to celebrate the debut of Descant’s warming winter volume. Come raise a glass to artistic achievement in the company of fellow lovers of lit!
Featuring performances by four inimitable Toronto talents:
Leon Rooke
Jacob Scheier
Pauline Carey
Kildare Dobbs
ph: 416.593.2557 | www.descant.ca/subscribe.html | Descant Blog: Coming Soon
To celebrate our winter launch, we’re making it quick and easy to get a deal on Descant for yourself or a friend—
Log on to https://www.descant.ca/offer/, input the code “AK07″ and get Descant delivered straight to your door for only $25 a year—over $35 off the newsstand price. We’re only offering this price to a select few for a limited amount of time!
So take advantage of the offer— New Subscriptions, Gift Subscriptions and Renewals at descant.ca/offer — Be stimulated by ideas, moved by visuals and delighted with the savings. Order Descant today!

Photo: Donald WeberÂ