Monthly Archives: February 2010

Reminder: the deadline for Descant’s Ghosts and The Uncanny issue is March 1!

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Attention writers: you still have a few days to submit your poetry, fiction, creative non-fiction and drama to D152, Descant‘s forthcoming Ghosts and The Uncanny issue!

Packages postmarked on or before March 1, 2010 will be accepted for review. D152 is slated for publication in Spring 2011, under the guidance of our talented guest editors Alex Maeve Campbell and Christina Francisco.

We look forward to receiving — and reading — your work!

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An idea, like a ghost, must be spoken to a little before it will explain itself.

— Charles Dickens

For this special issue, Descant turns ghost hunter and dares to explore the murky connections between life and death, science and superstition, folk beliefs and fictions. We are looking for apparitions of all kinds. Do you have paranormal poetry? Are you haunted by the past? Do you have a ghost of an idea? Perhaps you’d like to address the role of ghosts in literature and film. We want to document the existence of ghosts, both literal and metaphorical, on our pages.

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For submissions guidelines, check out: descant.ca/submit.html

Any questions about submissions can be directed to: info@descant.ca

Announcing the 2010 Winston Collins/Descant Prize for Best Canadian Poem Winner!

Descant is pleased to announce the Winner and Honourary Mentions for the 2010 Winston Collins/Descant Prize for Best Canadian Poem!

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Descant Editor-in-Chief, Karen Mulhallen, presented the $1,000 prize in honour of Newfoundland poet, Leslie Vryenhoek, during a celebratory reception at Toronto’s PageWave Graphics last night.

The Collins Prize commemorates Winston Collins, a writer and enthusiastic teacher of literature at the universities of Cincinnati, Princeton and Toronto. The annual prize perpetuates his remarkable talent for encouraging self-expression through writing. The response to the fourth year of this competition exceeded expectations. Submissions came in from across the country by first time and seasoned poets alike, attesting to the quality and diversity of poetry in Canada.

The judges for this year’s award — Nora Kelly and Eric Wright — were struck by Vryenhoek’s winning poem, “Letitia’s Cold Footsteps,” and praised it for its nuanced exploration of alienation. “‘Letitia’s Cold Footsteps’ takes us into the strangeness of arrival in a new country and makes us shiver. The chill of forty below and the chill of alienation are inextricable: we can see little clouds of frozen breath with each compressed utterance. The linking of the speaker with her nineteenth-century predecessor and spiritual twin is a wonderful device, beautifully imagined and creating a distinctly Canadian poem.”

Also recognized during Friday’s announcement were Jessica Hiemstra-van der Horst, currently a resident of Australia, and Toronto’s Myna Wallin. Both received Collins Prize Honourable Mentions and $250 awards.

In “Eating Quince with Musicians,” Hiemstra-van der Horst offers readers an “elegant meditation on metamorphosis, both mental and material”. The judges celebrated her work for its sensual sophistication and suggested that “The poet listens, tastes, and remembers, senses afloat, dipping into the past and then surfacing again, drawn by a perfect but fleeting moment.” Hiemstra-van der Horst is a visual artist and writer. She has recently been anthologized in Approaches to Poetry: the pre-poem moment, edited by Shane Neilson (Frog Hollow Press).

The judges called Wallin’s work “A poignant incantatory poem that draws together the speaker’s worries, weaving a spell around her fears.” In “Death, Wildlife and Taxes,” Wallin allows poverty and illness to “hover like evil spirits who must be placated by spiritual offerings.” Her poetry and prose has appeared in numerous literary journals. Her first book of fiction, Confessions of a Reluctant Cougar, is set for publication in Spring 2010 with Tightrope Books.

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ABOUT THE WINNER – Leslie Vryenhoek is a poet, writer and communications professional based in St. John’s. Her work has appeared in journals and magazines across the country and internationally. In the fall of 2009, Oolichan published her first book, Scrabble Lessons, a short story collection. Leslie has just completed a manuscript of poetry exploring notions of home and belonging, with support from the Canada Council and the Newfoundland and Labrador Arts Council; “Letitia’s Cold Footsteps” is part of this manuscript.

You’re Invited: ’10 DESCANT/Winston Collins Prize Announcement & Celebration!

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DESCANT/Winston Collins Prize — Announcement & Celebration
Friday, February 19th, 2010 / 6-8pm
PageWave Graphics
533 College Street, Suite 402, Toronto
(on the corner of College and Euclid, three blocks west of Bathurst)


DESCANT
is proud to present the poetry event of the season!

Join us for an evening of celebration dedicated to the public announcement of the Winner and Honourable Mentions for the 2010 DESCANT/Winston Collins Prize for Best Canadian Poem.

This free event is open to the general public and we encourage the entire DESCANT community to attend. Refreshments and hors d’oeuvres will be served as the winners of this year’s contest share their striking new works with us.

2010 marks the fourth anniversary of this important prize for Canadian poets. One winner will be awarded $1000, and two honourary mentions will take home $250 each. They will be chosen by this year’s judges, writers Nora Kelly and Eric Wright, from the 100 submissions we received from poets across the country.

This prize was established in memory of Winston Collins, a writer and enthusiastic teacher of literature at the universities of Cincinnati, Princeton and Toronto. The prize perpetuates his remarkable talent for encouraging self-expression through writing.

We look forward to celebrating with you!

For more information about this prize and event, visit:

http://descant.ca/contest.html

Watch for the publication of the winning poems in DESCANT 149 (our Summer 2010 issue)

Ian Brown wins the Charles Taylor Prize

The Boy in the Moon by Ian Brown (Random House Canada, 2009) 295 pages
Deservedly, it was recently announced that Ian Brown had won the Charles Taylor Prize, a non-fiction award administered by Charles Taylor’s widow, Noreen Taylor, and which was once the richest prize for non-fiction in Canada.

This was a difficult read. Not because the writing is not good (it is, exceptionally so) but because the topic is so disturbing to me as a mother and any other sentient being on the planet.

I was even more disturbed to learn the severe nature of his son’s disability. Walker has Cardiofaciocutaneous Syndrome or CFC, described as “an extremely rare and serious genetic disorder“. The condition is complex and very disturbing to contemplate – the difficulty of it, the suffering involved for the little boy, the things the family must have experienced while he lived with them – he now resides in a group home with other handicapped children.

I had no idea how difficult this boy’s life was and consequently what the family experienced. Walker Brown was born a few months before my own daughter in 1996 and was five weeks premature (as was my daughter). That sent a shiver down my spine. I kept picturing myself as the mother, as the parent of this child. The somewhat selfish yet typical thoughts that Brown had about marriage, children and about disabled children fluttered through me too when I was young. You cannot imagine yourself dealing with these adult responsibilities and/or travails in a rational manner yet parents do, we all do.

The reader intensely experiences the range of emotions Brown feels: grief for his boy’s suffering, guilt for the seeking of relief from this difficult situation, rage at one’s fate and dashed hopes for the child, fear at what the future holds for him, for himself as a parent, anger at the lack of foreseeable change, anger at the lack of answers. One description of a sleepless night spent with Walker who is often in pain, or uncomfortable, or just restless, is gut wrenching, exhausting, just in the reading of it. Imagine living it, year after year. I simply cannot.

He captures the chaos of emergency rooms visited, the tenderness and joy of the most private moments with one’s child, the brief illusion that everything will be normal, that medicine will help, that one day things will be “fixed” somehow, the parade of specialists with unsatisfying answers.

This sort of intense emotion and constant worry takes it toll between husband and wife:
Weeks go by without any real contact between us – and then we fight, perhaps to force some connection. The evidence of Walker’s demanding presence never changes, the household stigmata of a disabled kid: the mangled window blinds … the endless piles of laundry that self propagate like jungle plants … the avalanche of potions and lotions and syringes … all of it. With this chaos besetting us at every turn, would it be to much for him (for her) to put the fucking milk away?

There is a tender, slightly disturbing, moment where Brown observes his wife gently flirting with a man at an office Xmas party, whom he knows is attracted to her :
And how can I begrudge her that moment of friendship and freedom and even flirting, that other intimacy, after all she’s been through; how can I begrudge her some elemental attention, the frankly adoring gaze of someone fresh and new … I nurse a drink, and I wonder what she does when I am not around. I know she wonders the same about me. Mostly we forgive each other. Walker taught us how to do that.

Once Walker is placed in a group home (and how excruciating that decision is) Brown is determined to meet other CFC children in Canada and the U.S. The total of diagnosed cases of CFC in the world number in the mere hundreds.

But his assessment of the other parents he meets is refreshingly honest. They are not saints but he does admire many of them. Some he seems to imply are deluded in the belief that they have been sent special “angels”, that they are following God’s will in caring for their disabled children. A non-believer himself, still he understands why some may try and understand this twist of fate through that religious lens. And yet others he believes, with a slight air of annoyance, are unrealistic in their expectations of what the government and society may do to assist them:

On hellish days the mawkish sermonizing about angels and specialness felt like rank self-delusion, the work of anxious cheerleaders desperate to justify themselves to a cynical highschool … It’s hard to think of Walker as a gift from God, unless God was a sadist who bore a little boy a grudge.

Brown searches for a possible way of life for his son as they both age. He visits L’Arche, one of a series of homes for the disabled in France, founded by Jean Vanier. He is pleasantly surprised by the joy and warmth he finds there, not because the residents are different than the many disabled that he has encountered but the manner in which they are treated, the beauty of the home and the location.

He muses that perhaps the “purpose of the intellectually disabled like Walker might be to free us up from the stark emptiness of the survival of the fittest”.

The most upsetting section was Brown’s contemplation of suicide or the possible death of both himself and his child. The horrifying possibilities … it is an almost unbearable admission of what we might be driven to do in such moments of intense suffering.

I appreciated that he does not shy away from the word “disabled”, that he does not appear to be trying to change what is the reality of Walker’s situation with a politically correct fabrication. This has always rankled me about the disability rights movement. Some thoughts (not my own) about the “correct” usage of words to describe people with disabilities here.

I wish that every parent could read this book and then thank their lucky stars that their biggest perceived problem is a kid who won’t eat her vegetables or perhaps talks too much on her cell phone. I know I did when I finished the book.

I will leave the last word to the author: When Walker was an infant … I spent part of every day furiously wishing that a test had been available … Now that I know Walker, I am relieved there was no such test … Because on his good days, Walker is proof of what the imperfect and the fragile have to offer; a reminder that there are many ways to be human …

2009-2010 OAC Writers Reserve decisions are in!

Thank you to everyone that submitted an OAC Writers Reserve application to DESCANT.

The deadline for 2009-2010 submissions has now passed and our final decisions are made. All applicants will be notified about the status of their proposals by mail.

The DESCANT editorial team was impressed with the quality of your writing and the scope of your ideas. We look forward to reading more about your exciting projects when we receive applications from each of you again next October!

Best wishes for another year of inspiration and creative production!

From,
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