
Canada’s (adjective) literary press, House of Anansi, had its 40th birthday party last weekend as part of the International Festival of Authors– “(adjective)?” I caught myself about to write ‘venerable’ in that first sentence! When did the radicals become the establishment? It was pretty ‘establishment’ at Harbourfront’s Premier Dance Theatre on Saturday. The sold out crowd looked a little ‘United Church of Canada’- ie, lots of grey hair and sweet smiles. Don’t young people read? I guess they do because J.K.R. is filling the Winter Garden later in the week with her wizard outings. But did we lose a generation to video games?
Host Albert Schultz gave a succinct history of Anansi from its innovative hippy origins through its glorious literary achievements. This laudatory flourish seemed to underline the evolution of Anansi’s funky homemade status to cultural iconishness by bestowing a Lincoln-Centre-Celebrates Your-Career-Now-That-Its-Over-and-Safe feel.
However, there was nothing doddering about the readings. Word for word it’s probably the best literary reading I’ve been too in which I wasn’t involved (of course, with the splendidness of me on the bill you’re in another league, but we cannot hold that deficit against them!) They opened with a bang! Margaret Atwood! She’s my favourite reader. If I’m not careful I find myself adopting her matter-of-fact nasal flatness in my own ‘reading voice’(if I’m not channeling William Burroughs, or remembering to be myself.) Her vocal hyper-ordinariness is the perfect foil to her surprising and tough observations. She read from an essay written in the seventies on ‘women’s lib.’ And women writers’ relationship to it. You wouldn’t think such an artifact would stand up today- now that woman make the same amount of money as men, have no trouble rising to the top of any organization, have no fear of any of their rights slipping (or being yanked) away, can walk down any street at any time of day or night without fear, and aren’t seven times more likely to be murdered by their intimate partner or ex-partner than a stranger. But it did. Hold up. It did. The essay. Did I lose you in that long list? Are you still with me? Nutshell: Peggy did good.
Graeme Gibson read a passage of his legendary ‘experimental’ novel “Five Legs.” Excerpted to a shaving scene, it was revealed to be a w.a.s.p.y Canuck Ulysses. I hadn’t noticed that the five other times I wasn’t able to get into it. But he’s Peggy’s hubbie and he wrote a nice bird book. Plus, he’s adorable. He could make a second career out of playing irascible professors-emeritus in CanCin.
Poet Kevin Connolly was superb. Yes, you read that right. A poet was superb at a reading! Nobody had to feign a coughing fit to escape. The poems were moving and delightful. He read them like it was important we understand something (and that something was deliciously surreal.) Not like it was important that we feel like lesser literary lights than the poet. Tell other poets of this approach, please. Spread the word. (Actually, what’s up with poets lately? The poets who read at Descant’s fashion-themed reading were also… there’s only one word for it… entertaining. Did I miss a memo?)
And Roch Carrier popped in to read “The Hockey Sweater”. Can you believe it? Didn’t see that coming! Like a bonus ‘hidden track’ on a cd. He upped Gibson’s adorable factor, too, with his comic melodramatic antics- a little Robert-Munsch-ish. Any why not? That story is our ‘Casey at the Bat’, our (fill in the blank with another sports themed much loved story that has come to define an aspect of a particular culture). He sold it like a vaudeville ham! Fun!
After a break, Elyse Friedman and A.L. Kennedy were so funny and insightful about contemporary living, if there was any worry that Anansi is resting on its laurels and doddering into graceful ‘venerable’ status they were put to rest. They are still publishing new writing that is vibrant and important.
Shani Mootoo- who is a writer I enjoy a lot- read a rather pedestrian section of her new novel. I would not have wanted to follow the one-two punch of Kennedy and Friedman! But someone had to. Albert Schultz went on and on about how much fun it was to say her name, which was kind of creepy. Yes, her name is not standard-white-anglo-saxon-fare like the other authors- can we enjoy without drooling? The weird thing was that her work, on the other hand, sounded like the most standard-white-anglo-saxon-fare of the night- shades of Dickens, Austen or, sigh, Enid Blyton. Over the length of a book that style might work like it did for He Drown She in the Sea, where the new-wine-in-old-bottles-effect had time to resonate.
The evening closed with Jason Collette, who sang a few songs that were completely overwhelmed by his wonderful anecdotal introductions to them (which was good and proper given that this was a literary event!) Do you remember Benny Hill’s hilarious impersonation of Nana Mouskouri where she takes fifteen minutes to introduce a fifteen second song? “This next piece is about a girl who goes to meet her lover by the cinnamon tree only to find that her lover is not there and so she asks the cinnamon tree, ‘cinnamon tree, where is my lover’, and the cinnamon tree does not answer so she…” No? Too bad for you!
Jason Collette was introduced by Stuart Berman, who is writing a book about Broken Social Scene. Again, the old press is not hurting for street cred. In outlining the thesis of his book, Berman manages to incarnate, within a different time and genre, the same spirit of d.i.y. that House of Anansi sprang from forty years ago. It was a wonderfully-full full-circle. (Maybe forty years from now in government subsidized upscale comfy theatre seating with a stage full of expensive leather/chrome furniture and fancy lighting sculptures another grey haired crowd will be reminisced to about early days in dingy digs. The Chartered Accountants of Ontario are happy to support…)
The one thing that would have made the night better: if Pasha Malla had been there to read, like I’d first heard he would be! Rumour has it that he had a social engagement. Isn’t that so Anansi? People before careerism! Life and friends will not be denied! The spirit of love and freedom and anarchy! (But the good and nice Canadian kind of anarchy- not the dour Russian kind, or the bomb wielding Italian kind.) His book’ll be out by Anansi soon enough- so never mind their past and present, even their future looks bright.
Re: “(adjective)”- I think we can keep House of Anansi with the ‘innovative’ and the ‘groundbreaking’ and keep that ‘venerable’ descriptor on hold for awhile (save it for Broken Social Scene’s 40th!) Can something be an ‘icon’ of ‘iconoclasm’? Yup.