Category Archives: Fiction

REVIEW: ‘The Third Reich’ by Roberto Bolãno

There is perhaps no better testimony to the current widespread appeal of Roberto Bolãno than The Paris Review’s recent decision to serialize the Chilean author’s most recent release, The Third Reich (according to The New Yorker website, it is the first time the magazine has serialized a work of fiction in over forty years). From the inventive The Savage Detectives to the epochal 2666, Bolãno’s body of work has created a sensation over the last decade and made Bolãno himself a posthumous icon. As The Third Reich reminds readers, there is substance to the hype.

Written in 1989 and allegedly unearthed amongst the Chilean author’s notes, The Third Reich is centred on the first-person account of Udo Berger, a renowned German war games expert vacationing in Costa Brava with his girlfriend, Inebord. Rather than basking in the hot sun of coastal Spain, Udo—a man driven by rules, motives and strategy—opts instead to spend his time indoors perfecting a “variant” of his favourite war game, The Third Reich.

Soon Udo and Ingebord befriend another vacationing German couple, Charly and Hanna, who in turn introduce them to an enigmatic collection of local characters, including a shadowy beach dweller named El Quemado (literally “The Burned One”). When tragedy strikes (or at least appears to), Udo’s perception of the world around him begins to adopt a darker, more bizarre hue. His waking life slips seamlessly in and out of dreams and he begins to suspect those around him of deceiving him.

What results is a quietly brilliant novel that unfurls steadily like a mystery in search of a crime. Clues abound as do suspects, but the object of investigation remains hopelessly elusive—both to readers and to Udo. It is this ever-looming abysm of unknowability, however, that truly interests Bolãno. At one point, Udo, upon discovering the inconsequential factoid that El Quemado is not in fact Spanish but South American, comments: “I didn’t feel deceived. I felt observed. (Not by El Quemado; actually by nobody in particular: observed by a void, an absence).” The novel equates this “void” with a sort of ominous evil lurking in the negative spaces between a cause and is effect, a person and his or her motives. For Bolãno, it seems, existence itself is tantamount to deception. It’s esoteric stuff, but that’s why Bolãno remains such a force: His books coextensively compel and confound.

As expected, The Third Reich doesn’t carry the weight of The Savage Detectives or 2666, but it serves as a fitting and elucidating prelude to both works, providing hardcore Bolãno disciples with what may be the most direct entry to date into the author’s thematic, philosophic and aesthetic interests.

The Third Reich is published by Penguin Canada. Translated from the original Spanish by Natasha Wimmer.

DESCANT Fiction wins Silver at the 2010 National Magazine Awards!

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We are happy to announce that Adam Lindsay Honsinger‘s short story, “Silence,” has earned a Silver award in the Fiction category at the 33rd annual National Magazine Awards — held last Friday at the Carlu in Toronto.

Steven Heighton’s “Shared Room on Union” won the Gold prize for Fiddlehead journal, while Honsinger’s “Silence” earned a respectable Silver position, beating out other nominated entries from Event, Malahat Review, Matrix Magazine, Prairie Fire and Vancouver Review (you can preview all the nominated works, including “Silence,” here).

“Silence” first appeared in Descant 145: Private Worlds, Public Exigencies, our Summer 2009 issue, an exploration of the boundary between the self and the other. To order a copy of D145, visit our website here.

To download a pdf file of all the 2010 winners and nominations given by the National Magazine Awards Foundation (NMAF), click here.

DESCANT Fiction nominated for 2010 National Magazine Award!

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Congratulations to author Adam Lindsay Honsinger, whose short story, Silence, has just been nominated in the 2010 National Magazine Award’s “Fiction” category.

Silence first appeared in Descant 145: Private Worlds, Public Exigencies, our Summer 2009 issue: an exploration of the boundary between the self and the other.

Adam Lindsay Honsinger has had fiction and reviews published in a number of publications, including Exile, The Malahat Review, Other Voices, paperplates, Pottersfield Portfolio, PRISM international and SubTerrain.

The National Magazine Awards Foundation is dedicated to the recognition of excellence in Canadian Magazines through its yearly awards program. This year’s Awards Gala is set to take place on June 4, 2010, at the Carlu in Toronto.

Congratulations, Adam, and good luck!

To order a copy of Descant 145, visit our website at here

To view the full list of categories and nominations, go here

 

 

Edith’s War by Andrew Smith (Axiom Publishing Co., 2010) 380 pages

In Edith’s War, Andrew Smith sensitively and deftly shifts from the present day somewhat strained relationship of two brothers named Will and Shamus Maguire traveling in Venice to the secret history of their mother Edith during WWII when countless Italians, some born in England, were interned as enemy aliens. I was lucky enough to read this book in manuscript form before it was published.

The Liverpool born brothers could not be more different. The eldest Will is taciturn, cold and unsociable. Shamus, a few years younger and now living in Canada, is gentler, sensitive but obviously a bit cowed by his older brother’s volatile personality.

Shamus is still mourning the death of his partner Luke. Will is divorced and seems embittered by his life. Both men seem emotionally adrift. They spend the day reminiscing (and bickering), taking in Venice and awaiting their mother Edith’s visit. Family life was an emotionally stilted and unpleasant memory for Will. Shamus has a less angry recollection but is still intrigued by the speculation of the true relationship between his parents Edith and Joe (whom both brothers refer to by their first names).

The two generations are bound together by their connection to Italy and it turns out Edith’s romantic past is much more complicated than they know.

Far from being the cold, prim fish that the brothers presume Edith to be, she has had a tumultuous emotional and romantic history in Britain during WWII while husband Joe was off to war and she was pregnant with her first child Will. While Edith lived with her mother-in-law and brother-in-law she became friendly with the Baccanello family next door.

Anna and Gianni Baccanello have three sons Carlo, Paolo and Domenico and a close relationship with the Maguires. There is a sweet and understated attraction between Edith and the eldest son Carlo who lives with his wheelchair bound wife Isobel.

This attraction becomes more intense when all the Baccanello men are interned as aliens and possible threats to security by Churchill’s orders once Mussolini declares war on England in 1940. This reflects a true historical event that few in the West know about (I certainly did not). Edith, intelligent but politically apathetic, is galvanized into aiding her neighbors when the the men are interned and then ordered to be transported overseas for indefinite incarceration on The Arandora Star.

On July 2, 1940 the ship, which held nearly1,200 German and Italian internees, was torpedoed by a German submarine U-47, and 800 men were killed or drowned. Carlo survives this harrowing experience as does the youngest son but other family members do not.

Even though Carlo survives, his ordeal is not over as he is then shipped to an internment camp at Woolfall Heath. Some historical detail about the camp from “Wartime camps in Huyton”, BBC Liverpool:

The camp, first occupied in May, 1940, was formed around several streets of new, empty council houses and flats and then made secure with high barbed wire fencing. Twelve internees were allocated to each house, but overcrowding resulted in many sleeping in tents. Initially the camp was only meant to hold the internees until they could be shipped to the Isle of Man. However, largely in response to the torpedoing of the transport ship ‘The Arandora Star’, with the loss of nearly 700 people, the deportations ended. 

Brave, resourceful Edith stands up for the Baccanellos against British authorities and struggles largely in vain – even combating her bigoted brother-in-law and the suspicion of neighbors and friends in their small village. But she makes a fateful choice which will link her to the Baccanellos forever.

It reminds me that we often lose sight of what our parents were before they became our parents – their acts of courage, their youthful passions and sometimes transgressions. They were (are) as passionate and hopeful as any of us.

In the present day, the Maguire brothers bicker and piece together bits of forgotten family history in Venice. They meet an enigmatic stranger named Armando Belli who captivates Will. He carries a cigarette case which intrigues Will and triggers a long buried memory about the presence of Carlo Baccanello in his early life. Without saying too much to spoil the plot, a secret resides in Edith which we learn of only at the very end.

The scenes set in WWII are compelling and meticulously recreate the atmosphere of fear and paranoia which plague the two families under siege by both the German bombardment and English racism and xenophobia. 

This book is politically relevant today as it reminds us that the perceived enemies within our midst are often the pawns of horrific historical circumstances beyond their control. And before we assume that this is a phenomenon confined to other nations, let’s remember that the exact same situation happened with Japanese-Canadians during WWII. My own mother-in-law, who was a child younger than my daughter, and her whole family, were interned at Lemon Creek.

Closer to our own time, think of the Muslim-Canadians wrongly accused and incarcerated today. We are doomed to repeat these mistakes unless we are vigilant. And this book helps us remember that.

Save the Date: DESCANT 148 Launch!

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Descant 148: The Search for Happiness / Descant Spring Issue Launch

Monday, April 19, 2010 / 7:30pm
The Victory Cafe (581 Markham Street, 2nd Floor)
Free!

It’s that time again, literary ladies and gents! Descant is launching its 2010 spring reader at The Victory Cafe, featuring readings by contributors Emi Benn, Roo Borson, David Day, Larry Frolick and Alex Pugsley.

Entitled The Search for Happiness, this issue tackles one of life’s greatest struggles for the unobtainable through poetry, fiction, memoirs and travel essays. Can a person ever obtain genuine satisfaction? Contributing editors Mark Kingwell and Rosemary Sullivan delve thoughtfully into the topic, while long-time Descant writer Larry Frolick offers up his memoir-in-progress, “Dark Side of the Moon.” Descant 148 also features portfolio and cover art from acclaimed artist Anitra Hamilton, and portfolios from American sculptor Jim Hake and Canadian media-artist John Massey.

Expect another bang-on event of delectable ideas and riveting readings! Don’t forget to RSVP to the Facebook event.

You can catch a sneak peek of our beautiful new issue on our website HERE.

Last Minute Gift Ideas from DESCANT!

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Season’s Greetings, friends of Descant.

It’s the time of year when gift-giving is on everyone’s mind and Descant is pleased to bring you some last minute ideas to help satisfy the tastes of everyone on your list. Visit our Special Merchandise Paypal page now: http://www.descant.ca/purchase.html

Want to share the good stuff Descant has done in 2009? Our 4-issue Holiday Gift Bundle includes the four most recent issues of Descant — a $60 value — for only $25.

We also offer 2009 releases by several key Descant-eers: editor-in-chief Karen Mulhallen’s  Acquainted with Absence. Selected Poems is available for $26; managing editor Mark Laliberte’s latest poetry chapbook, Suture Series Fragment A: It looked like rain. is available for $6; Descant co-editor Michelle Alfano’s Made Up of Arias is available for $21.

Finally, you can stock up on products from Descant’s outreach project, NOW HEAR THIS!, such as our brand new NHT! t-shirt for $22, or The Armadillo, our 2008 NHT! anthology of student writing for $15.

Shipping costs are already included in the sale price of all the products featured in our store; order by December 11 (within Canada) to ensure delivery by Christmas!

From all of us at Descant, we wish you a wonderful holiday season!

Short Fiction contest for Emerging Writers

If you’re not a poet, and you’re feeling left out from the Winston Collins poetry contest, don’t worry — the Writers’ Trust of Canada is accepting submissions for the RBC Bronwen Wallace Award for Emerging Writers. This year, the prize is for the fiction category. Entrants must be under 35 years of age, Canadian citizens or permanent residents, and unpublished in book form. One winner will be awarded $5000, and two honourable mentions will be awarded $1000.

The Bronwen Wallace Award for Emerging Writers alternates annually between poetry and short fiction entries.  Some previous winners include: Michael Crummey, Stephanie Bolster, Sonnet L’Abbe, Gillian Best, and Jeramy Dodds.

Six String Nation Fundraising Event

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NOW HEAR THIS! Presents the HEAR/HEAR Reading Series, Part Three

Descants outreach program, NOW HEAR THIS!, is proud to introduce the third installment of the HEAR/HEAR reading series. The event takes place on Wednesday, August 19th, at the Free Times Cafe (320 College Street, 2 blocks west of Spadina). This FREE, ALL-AGES show will begin at 6 p.m.

This month’s lineup features NHT! Writers-in-Residence Rebecca Rosenblum, Mariko Tamaki, Andrew Daley, and Colin Frizzell.

We hope you’ll join us.

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Ten Submission Missteps to Avoid

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Once a month we at Descant have our ‘reading session’ when we try, like a dog and his tail, to catch-up with our submissions. We receive about a thousand envelopes a year, packed with poems, fiction, essays, photographs and lots of hope. Unlike many other literary periodicals, our submission guidelines are barebones. Thus, writers sometimes feel less inhibited with creative and innovative ways to stand out from the pile. Some of the efforts are humorous but off-putting. Though we pride ourselves on being an open-minded bunch, we are only human. Some gimmicks challenge us at the start to remain unbiased even before we have read the submissions. Here our a few missteps that a submitter may wish to avoid.

1)    Size Matters. My personal pet-peeve is when I pick up an envelope and its weight causes me to groan.  Many magazines impose a cap on word length for submissions, but at Descant we do not. Once I chanced upon a submission for a ‘short’ story that was fifty-four pages long. While there is a place for longer short fiction, normally periodicals prefer more concise pieces. In the early stages of the writing process there is a phase that I call verbal diarrhea, wherein the writer needs to let out everything he can relating to his story. As the piece is refined in subsequent drafts, details get embedded into the story in more subtle ways and chunks of the early verbiage are edited out. When I see a submission that is generous with its pages, I fear that the writer has sent an early draft. I will read it though, just incase I am wrong. Perhaps it is a very engaging story that does require fifty pages to tell. Though I have yet to see such a brilliant submission.
2)    Double-sided submission. While printing on both sides of the paper is environmentally friendly and laudable, it confuses readers. The standard for submission in the publishing world is single-sided only and any departure from that norm risks the reader missing alternative pages.
3)    Fancy Fonts.  Poets are sometimes guilty of this. It reeks of desperation and puts the reader on the defensive.
4)    Bold Author’s Name. Occasionally a writer will try to catch our attention by placing his name above everything in a font that is double the size of the main text. It reads like a warning sign: Fragile Author Ego at Work, Beware.
5)    Once I opened a submission envelope and a barrage of cut-out stars and glitter hearts fell out across the desk. While it gave me a chuckle, it was an effort to clean up the mess and the text of the submission had to work that much harder to win me back.
6)    Submitting too often. There is a proverb in English that says ‘familiarity breeds contempt’. There is some truth in that. While persistence and tenacity in a writer are admirable, essential even, submitting too often can make the readers apathetic toward the submission. In this internet age many magazines around the world accept online submissions. Take advantage of this globalization, spread your stories upon fresh new fields.
7)    Obvious grammatical; and spelling errorrs. Such as the two here. While work that needs copy-editing is not a deal-breaker, it makes the text difficult to read and interferes with the flow. Always try to send copy with minimal errors. If you are submitting outside of Canada, set your spell-check for the country that you are submitting to. Americans think ‘color’ is correct but the Brits will think you are a sloppy speller.
8)    Stale-dated themed submissions. Descant routinely puts out calls for themed submissions on our website. Pay close attention to the deadline. We sometimes get submissions for themed issues months after the deadline when the text is at the copy-editing stage. We try to be flexible and the one question the editor of the themed issues will always ask is: “Is it brilliant?” In order for her to squeeze in your late submission it would have to be genius to make the editor reshuffle her careful work.
9)    Suspect publishing history. Many readers do not bother with the author’s cover letter, they go straight to the submission. But some readers will read the cover letter knowing that, like all resumes, there will be embellishments. I recall seeing a cover letter once where the author went on for a page and half listing her movie reviews on rottentomatoes.com. Anyone may write in a terse sentence and it will be published (‘This film sucked’). Descant co-editors are savvy enough to know a con. We’ll still read the submission, but with suspicion.
10)    A plethora of poems. We have a rule that we cannot publish anymore than a sweep of five poems by the same authors in one issue. Sometimes poets, because the work is so concise, will send us batches of a dozen or more. It is left to us to read them all and decide which five are the best of the bunch. Again, it puts the reader on the defensive.

The best way to get our attention is with fresh, crisp, crackling writing that gets us excited and eager to share our discovery with fellow co-editors.