Category Archives: Readings

On Launching and Leaving

The beautiful cover of Descant 165, chosen months ago by Editor-in-Chief Karen Mulhallen, turned out to be prescient on the eve of our launch party. But despite the deluge Tuesday night, we had a great turnout. Guests who didn’t quite make it before the heavens opened, arrived sopping wet regardless of umbrellas and mad dashes from cabs. But as drenched Descant Co-editor Paul Fowler pointed out, we’re not made of sugar.

Descant Editor-in-Chief Karen Mulhallen...

Descant Editor-in-Chief Karen Mulhallen, more than 44 years at the helm of one of Canada’s most distinguished literary magazines.

Production Editor Ekraz Singh not only put together a gorgeous issue, but she pulled off a great party too. Hot nibblies, cold beer and a room full of lit-loving friends. As good luck would have it, the guest who bought the most raffle tickets won the big box-o-books from ChiZine Publications. There must have been 20 novels in there, each one weirder than the next which suited Darren just fine.

Descant Production Editor Ekraz Singh

Descant Production Editor, Ekraz Singh, telling us about the raffle prizes.

Descant staffers Kim Griffith and Sophie .... at the "merch" table. I won the 3 copies of filling Station. No, there's no conflict of interest there.

Descant staffers Kim Griffiths and Sophie McCreesh at the “merch” table.

We had a surprise guest (I invited him on Twitter and he came, hence the surprise). Paul Carlucci braved the storm warnings and came in from Hamilton to celebrate with us. Last month Paul won the Danuta Gleed award for his first collection of short stories, The Secret Life of Fission (Oberon Press).

Paul Carlucci (in distant left, facing camera) asking Descant co-editor Jason Paradiso if we would pay for his gas from Hamilton. Contributor Assia Messaoudi in foreground checking out the raffle table.

Paul Carlucci (in distant left, facing camera) asking Descant Associate Editor-in-Chief (Production) Jason Paradiso if we would pay for his gas from Hamilton (no). But we did offer to walk his dog.

I was struck by the different styles of our four readers –Heather Babcock (“Of Being Underground and Moving Backwards”), Assia Messaoudi (“dear stranger”), Mary Corkery (“Conversation”) and Mark Kingwell (“Parties, Parties, More Parties”). Beneath Heather’s straightforward prose, lurks something sweaty and uncomfortable. Assia’s poetry-from-the-margins drew a number of nods and murmurs from her audience. Mary’s poems about her sister’s struggle with cancer were intimate and harrowing.

Heather Babcock

Heather Babcock

Mary Corkery

Mary Corkery

I think everyone clapped a little bit harder when it was announced that this was Assia’s first publication. Descant has published a lot of firsts who went on to award-winning acclaim, so we’ll keep our eye on this young woman.

Assia Messaoudi reading us "stranger aldkjfad".

Assia Messaoudi reading us her “dear stranger.”

Mark Kingwell, longtime contributing editor to Descant, told us a funny story and, I think, coined a phrase. Once upon a time he was in a bookstore in Hillsborough, New Hampshire. He pulled out a slim volume from the shelves, Parties: Scenes from Contemporary New York Life, by Carl van Vechten, a patron of the Harlem Renaissance in the 1920s and later the literary executor of Gertrude Stein. And, according to Mark, “a great narcissist.” Mark said he knew he’d found something interesting, but, in one of those later hard-to-explain moments, he put the book back on the shelf and walked out of the store without it. Despite the fact that it was only 98 cents. Ok, American. But still.

Then it set in: leaver’s remorse.

I know this feeling. It has a similar sinking feeling to buyer’s remorse, but where buyer’s remorse usually fills us with disappointment, frustration and anger, leaver’s remorse is tinged with sadness and longing. Probably because it begs the bigger existential questions.

It’s not like Mark could just slap his forehead and head back to the bookstore, fingers crossed the book was still there. He was back in Toronto before the full force of his leaver’s remorse set in (I’m leaving that rhyme there; it has rap potential). Instead, when he would hear that friends were traveling to New Hampshire, he’d ask them to look for the book.

He went so far as to draw a map of the inside of the bookstore and exactly where he’d last seen the volume. A map of where he’d been and what he didn’t bring back with him. A treasure map; a cartography of regret.

[If you were looking for a writing prompt today, look no further.]

Descant Contributing Editor, Mark Kingwell.

University of Toronto philosophy prof and Descant Contributing Editor, Mark Kingwell.

You’ll have to read Mark Kingwell’s contribution to find out what happened (you had to know I was going to say that). Lucky launch goers bought their copies for $10 and a year’s subscription for $20. Look for Descant 165 at your local book and magazine stores. Or have it delivered to your door four times a year.

You won’t regret it. No matter what you’re made of.

Cover art by Scott McKowen.

Cover art and inside illustrations by Scott McKowen.

Griffin Shortlist Evening: straight to the heart of poetry

I had a most extraordinary experience of silence last Wednesday night at the Griffin Poetry Prize Shortlist Reading, here in Toronto. In a packed theatre you expect a certain amount of noise — a cough, shoes shuffling, program pages turning — even where there should be none. But it seemed to me there was indeed actual silence between the words and the lines of Anne Michael’s poetry. She read to us with a seriousness and intensity that both dared and demanded our complete devotion.

The Griffin Poetry Prize, the most generous poetry prize in the world, awards $65,000 each to a Canadian and an International poet. Each of the finalists gets a cheque for $10,000. And everyone gets a night of hearing some of the best poets in print today (for only $17.50!). Brenda Hillman, this year’s winner in the international category was, like the other finalists, emphatic in her thanks to the audience: “Thank you for coming, thank you for reading poetry.” Brazilian poet Adélia Prado received the Lifetime Achievement Award. I’d never heard of her before but this weekend will search for translations of her work.

“The smallest of poems is a servant of hope.”

~Adélia Prado

All of us at Descant send our congratulations to each of the finalists and especially to Canadian winner Anne Carson, whose “Short Talks” we published in 1991 (Descant 74). On Wednesday night, the tall and regal-looking 63 year-old told the audience that a friend of hers said he liked her (first) book by the same title, but he admitted he thought it was called “Small Cocks.” Through the surprised laughter I heard her say, “I thought I’d called it that, too!”

Of the many beautiful, funny and moving words I heard that night (and Sue Goyette’s line, “the ocean is the original mood ring” is all three), it was that sudden and profound silence that I keep thinking about; a silence borne of words, in between words — made of words. It brought me, in Brenda Hillman’s words, “straight to the heart of poetry.”

Griffin Logo_0As it was Descant volunteer Justin Lauzon’s first time at the event, I’ll let him tell you about it in more detail.


Griffin Poetry Prize 2014

As poetry lovers young and old walked across the second storey bridges in Koerner Hall, we were ushered in by the sound of trumpets playing from one of the balconies of the original brick building. If this sounds pretentious, don’t be fooled. A night at the Griffin Poetry Prize Shortlist Reading is both intimate and humble, even if sprinkled with a few brass instruments. I was taken aback by the elegant modern design of the Koerner building, which merges the old brick façade of the Royal Conservatory with so much light coming in through the three-storey windows.

The evening began with an introduction by Scott Griffin, the big cheese, during which he announced Margaret Atwood’s retirement from the Griffin’s Trustees. Atwood has been on the board since its inception in 2000, but now, after voluntarily stepping down, has been succeeded by poet Karen Solie and prolific Irish novelist (and poet) Cólm Toibín.

Each writer was introduced by one of the judges, all of whom praised the tough competition this year, which amounted to a whopping 539 book entries, from 40 countries, in 25 languages. Scott Griffin thanked the immense, if not herculean effort of the judges. On stage, there was one less chair than there were people, forcing the writers to play a strategic game of switcheroo musical chairs, each speaker taking the seat of the following one, shifting positions throughout the night, constantly gaining a new perspective.

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The international poets kicked off the readings, beginning with English poet Rachael Boast (Pilgrim’s Flower, 2013) who said “it’s lovely to see so many people here this evening. The last poetry reading I gave was to six people. Six of my students. In a disreputable pub.” It was a great introduction into the intimacy of the rest of the event; though 1000 people were in attendance, the whole thing seemed very personal. American poet and social activist Brenda Hillman (Seasonal Works with Letters on Fire, 2013) told a moving story of her father in intensive care, who, as a farm boy, chose a pig’s valve instead of a plastic one for his heart surgery. After a few stumbled lines of thank yous, American poet Carl Phillips (Silverchest,2013) stood at the podium and commented, “I don’t say a lot during readings because it usually comes out…stupid.” The audience chuckled as he went on to read the first of four poems that clearly spoke on their own.

Brenda Hillman....

Brenda Hillman, poet and social activist, won in the international category.

But no one sounded stupid, and it was refreshing to hear experienced poets talk about, and read their own work. Hillman spoke of poetry as “an investigation of the mystery of existence.” Canadian poet Sue Goyette (Ocean, 2013) commented on how the environment in the theatre had changed over the course of a couple of hours: “I can feel the air is different now. When we first sat down it was just plain old air, but now it’s fortified with all these poems. I’d be doing a lot of inhaling if I were you.” And when Toronto’s own Anne Michaels finished off the night with an interweaving selection from Correspondences (2013), she closed with a beautiful line that summed up the elusive nature of poetry: “the line break forever [changes] the word above and the word below, altered by breath.”

Anne Michaels was shortlisted for Correspondences.

Descant contributor Anne Michaels was shortlisted for Correspondences. Our evening program was constructed like her beautiful book — accordion architecture that circled back on itself.

As a welcome change, the writers didn’t take themselves too seriously, and some really had fun. After Carl Phillips read one of his solemn final lines, “why do we love at all,” he paused to grab his water, then added wryly, “because it’s actually quite rewarding.” The audience howled. He said that the final line was good at the time, but now seemed a little dramatic. Anne Carson (Red Doc>, 2013) read from Short Talks, and got the audience to participate with a word or line which we recited on cue (“deciduous?” a thousand voices queried enthusiastically).

Anne Carson won the Canadian prize this year and...

Anne Carson won the Canadian prize this year. She also won the inaugural prize in 2001.

A highlight of the evening was the presentation of the Lifetime Achievement Award. Griffin Trustee and former US Poet Laureate Robert Hass presented the award to Brazilian poet Adélia Prado, “a sexy, mystical, Catholic poet.” She came on stage with a translator and read her speech in Portuguese, and at the end gracefully thanked the audience herself with both “thank you,” and “merci,” a simple touch that spoke volumes of her charm.

Brazilian poet Adelio Prado, reading her acceptance speech with the help of her translator.

Brazilian poet Adelio Prado, reading her acceptance speech with the help of her translator.

Maria Rosenthal, who translated Tomasz Rozycki’s Kolonie (2006), did a joint reading with the Polish poet. Four poems were read, in both English and the original Polish, the latter elegantly read by Rozycki, in a near duplicated cadence from the English translation. Rosenthal thanked the Griffin Trust for including translations in the competition because “not everyone understands the art that goes into it.”

To close, Scott Griffin presented each writer with a leather-bound copy of their own book. The final prize was given out the following evening and the poets seemed to enjoy the low pressure of the shortlist reading night. And it’s precisely that atmosphere that will bring me back next year, whoever the nominees may be, for this much needed celebration of poetry.

By Justin Lauzon


Justin Lauzon is one of Descant’s newest volunteers. He has reviewed Texas, Kafka’s Hat and, with Jack Hostrawser, co-authored this review of Rove for us. Justin is a writer and teacher from Oakville, interested in magic realism. He studied fiction at York University and the Humber School for Writers, and is currently working on his first novel. Check out his film blog, “The Alternate Take,” here and follow him on twitter, @JLauzonwrites.

Join us for our launch tonight.

Summer Subversions is summer, unhealthy Descant-style!

The best summers are those brimming with journeys, this explorations and great reads. It just so happens that Descant’s warm-weather issue offers all three.
Irreverent photography on a pothole theme by Montreal-based Claudia Ficca and Davide Luciano.

Fiction by Bill Bukovsan, viagra 40mg Paul Carlucci, Andrew Creighton, Christine Fischer Guy and Arelene Somerton Smith get us thinking about issues of the outsider.

Heady and sometimes harrowing: poetry from Mathew Henderson, Angela Hibbs, Jimmy McInnes, Kathryn Mockler and more.

Editor Karen Mulhallen gives us a sensitive, funny and provocative interview with Czech-Canadian writer Josef Škvorecký (1924-2012). We see a portrait of a life coloured by the political unrest of post-WWII Communist Central Europe, dissent, literature, love and jazz.

Mark Kingwell takes us fishing in his essay “Slack Enters the System.”
Descant jumps into comics with Mara Sternberg, and artist Kyle Stewart considers the balance of nature and industry.

Crack the spine on Descant 157 and let your summer of discovery begin!

For details about the when and where of it all, click here.

Upcoming Launch for our Summer Issue

Descant157coverHi Descant Fans! We are thrilled to announce that the Descant Arts and Letters Foundation will release its Summer 2012 issue, Summer Subversions, on June 27, 2012. Summer Subversions brings together engaging, thought-provoking, and sometimes harrowing art, fiction, poetry, and essays that are definitely not your typical poolside reading.

Hereʼs a taste of what’s inside: Paul Carlucci offers a glimpse into a northern communitycaught in a cycle of addiction, desperation, and violence. Andrew Creighton gives us a story about a young white supremacist girlʼs self-discovery. Arlene Somerton Smithʼs “Ruby Slippers” meditates on the meaning of death. A not-to-be-missed highlight is editor Karen Mulhallenʼs provocative interview with the late Czech-Canadian writer anddissident Josef Skvorecky, in which he talks about love, politics, and jazz. Photographers Claudia Ficca and Davide Lucianoʼs imaginative portfolio on potholes is (literally) like something out of Aliceʼs Adventures in Wonderland.

To celebrate the release, a public event will take place on June 27, 2012, doors open at 7:00pm at The Magpie, 831 Dundas St. West. Contributors Angela Hibbs, Mark Kingwell, Jimmy McInnes, and Kathryn Mockler will read selections of poetry and non-fiction.The event will also feature a raffle with fabulous prizes, ranging from gift certificates and book packages, to subscriptions and gift baskets. We invite all lit-lovers to join us for an evening of readings, conversation, food, and libation as we toast the summer and all of its complexities!

Here is the event listing on Facebook.

If you’re curious and want more information contact:

Vera DeWaard, Managing Editor:
Amy Stupavsky, Production Editor, 157:

LeftWords addresses the issues that matter

This May marks the return of the LeftWords Festival of Books and Ideas, a day-long showcase of progressive and left-leaning authors, publishers, and book sellers. The festival, which has been on hiatus since 2005, is re-launching this year in partnership with the Mayworks Festival of Working People and the Arts.

This year’s LeftWords has much to offer. In addition to a marketplace showcasing more than 20 exhibitors, the festival will host a series of panel discussions and workshops on subjects ranging from activism and dissent to community art and graphic novels.

According to Matt Adams, one of the festival’s organizers, what makes Leftwords unique is the way it responds to the salient—and controversial— social and political issues of our time. “Among our panelists this year, we have G20 critics, Occupy activists, and labour experts,” says Adams. “For better or for worst, the time is certainly ripe to re-launch.”

Highlights of this year’s festival include a keynote address by famed feminist and activist Michele Landsberg and a panel discussion featuring Frances Fox Piven, who recently earned the ire of Glenn Beck for her involvement in the Occupy Wall Street movement.

LeftWords is on May 6, 2012 at the Ryerson Students’ Centre, 55 Gould St. The festival opens at 11 a.m. and runs until 5 p.m. It will be followed by an After-Party hosted by the Socialist Register. For more information, please visit:


Grey Borders Reading Series Logo - Large JPG Black2.jpg

Fall is an important season for the literary arts in Toronto. Reading and festivals abound, like this past weekend’s Word on the Street at Queen’s Park, as do writing awards both big and small. With all the hoopla and good cheer, it’s sometimes easy to forget that, though Toronto may indeed be the country’s largest hub of Canadian literature, strong and innovative literary communities do indeed exist and thrive outside The Big Smoke.

Recently I had the opportunity to interview Eric Schmaltz, coordinator of the Grey Borders Reading Series based in St. Catharines. The series is the largest of its kind in the region and, in terms of its talent, among the most variegated in the province. It serves as a compelling testament to the strength of literary life beyond city limits.

Q: Describe the Grey Borders Reading Series. What are its origins? What does strive for?

ES: The series was conceived by Jordan Fry years ago, maybe a decade ago by now, maybe longer. I can’t speak to his curatorial practice, but it’s to my understanding that the series was created to forge an active literary space for St. Catharines and the Niagara region. Later, the series was passed from Jordan Fry to Gregory Betts who organized many outstanding events featuring big names, including Lillian Allen, Christian Bok, and Jaap Blonk. In 2010, Gregory passed the series on to me. I stepped in hoping that I could maintain the energy of the former curators and continue to welcome some of the best writers today. I’m now into my second year as curator and I think I’ve managed to do that.

Q: What, in your opinion, makes the series especially unique?

ES: I think what makes Grey Borders Reading Series unique is our community. Not only is the community supportive, but it is also engaged. People want to meet the writers and read and discuss their works, meet other like-minded people, and of course have a great time. It turns our evenings into lively events.

Q: What qualities do you look for in your authors?

ES: A great deal of thought and work goes into selecting our authors. I’m interested in all shapes and kinds of poetry and fiction—I strive to find writers who are active, but also engrossing, enthralling, exciting, and entertaining. Most importantly, I welcome work that is on the cutting edge. I love small press. I love multimedia. I love sound poetry, visual poetry, and conceptual poetry.

Q: Are many of your authors local to the area?

ES: We have featured some local writers. St. Catharines has a sizable group of young and emerging poets (and some well established). That said, the mandate of the Grey Borders Reading Series is to feature writers from outside St. Catharines. GBRS is a place where our local community can see what’s going on elsewhere. Exposure is really important to the growth of literary community.

Q: Speaking of which, what is the literary community like in St. Catharines and the Niagara region?

ES: The St. Catharines literary community is interested and supportive. We have a substantial crowd for a reading series in a small city—especially a city with few venues for writers and poets. It’s a good mix of young and interested people, academics, locals, and even out-of-towners. It’s encouraging to see so many people united in one place to see and hear poets from all over the country and the world.

Q: What authors/events are you most looking forward to this coming season?

ES: Honestly, I’m looking forward to all of the events this year. The series will include some of the most cutting edge, intelligent, and kind writers that are at it today. I’m grateful and excited!

On October 1 we have what is shaping up to be a night of eccentric poetry, featuring Geof Huth; NF Huth, launching her new 3 Words published by Gary Barwin’s serif of nottingham editions; and Angela Szczepaniak, who has a new book from Bookthug. And on October 14 we have rob mclennan, Tim Conley, and Liz Worth. The winter season looks to be just as promising!

For more information on the Grey Borders Reading Series and its upcoming events, please visit their blog:

DESCANT 152/Ghosts and The Uncanny Launch





Come out and help us celebrate the release of Descant 152: Ghosts and The Uncanny, visit this which will hit store shelves on March 28th.

April 6th at 7:30 p.m.

George Brown House

(186 Beverley St., prescription Toronto)

Enter – if you dare – the beautiful, see historic and allegedly haunted George Brown House and be greeted by the eerie music of violinist Phoebe Tsang, of the National Ballet of Canada orchestra. Enjoy readings of fiction, non-fiction and poetry from Descant 152 contributors Richard Rosenbaum, Jennifer Oliver, Kate Cayley and Daniel Zuckerbrot. Help yourself to a drink at our cash bar and mingle with fellow literature and art lovers.

We received more submissions for Descant 152 than ever before in its forty-year history, and Guest Editors Alex Maeve Campbell and Tina Francisco bravely undertook to sift through all of them to bring us this outstanding collection of fiction, poetry, essay, memoir and visual art. The collection takes a daring look into the world of the dead, sometimes
beckoning to it, even daring to interact with it.

The line between life and death is a fine one, Douglas Curran shows us in his memoir, It Happens: The Death of John Kanjadza. Ghosts can be very friendly, as Katherine Hajer shows in her short story The Expected Ghost, or highly malicious, like the ghost in Jay Snodgrass’s poem My Ghost Made an Art Movie, Too. Most often, though, they seem too busy with their own affairs to mind about the living. Ben Rawluk brings the uncanny – a jingle-jangling man made up entirely of light bulbs – right to our doorsteps: “Don’t just stand there,” he writes, berating our open-mouthed shock, “Invite him inside.”

Don’t miss this ghostly gathering! Check out our website after March 18th, 2011 for a sneak peek at the issue.

DESCANT Congratulates 23 Poets

Further to our blog entry of February 16th, ambulance we would like to confirm the names of each poet short listed for this year’s Winston Collins Prize for Best Canadian Poem.*

For 2011, our ‘short list’ includes the names of 23 individuals. Their names and poems are as follows:

Wendy Brandts                         Ardent Awakenings

Roger Bell                                Oh Wendy

Barry Butson                            Things I Touch

Terry Ann Carter                       The Call

Joan Crate                                Cherry Jam

Barry Dempster                        A Circle Of White Deck Chairs

Kildare Dobbs                          September 1939

Kate Marshall-Flaherty             Apocalypse of Bees

Susan Glickman                      Things From Which One Never Recovers

Elizabeth Greene                     Planet of the Lost Things

Gillian Harding-Russell             Gerontian Thoughts

Margaret Hollingsworth            Some Sage Said

Sheldon Inkol                          She Does Not Want

Ellen S. Jaffe                           Remembering September Tenth

Ellen S. Jaffe                           Continental Drift

Donna Langevin                      In Lieu of an Obit

Kathy Mac                              Lachesis Descends from the Mountain Alone

Anna Mamcini                        The Treeplanters

Talya Rubin                            Leaving the Island

Renee Sarojini-Saklikar           June 1981

Karen Schnidler                      Brief History

Susan Stenson                       Romantic Poetry

Josh Stewart                          Skeleton Beach

Myna Wallin                          The Self As Both Object And Subject

Descant congratulates each of these poets for their fine contributions to Canadian culture and contemporary literature.

We would also like to thank everyone who participated this year. We invite you all to consider entering our 2012 competition this fall. More details about next year’s event can be found at:

* We wish to confirm that all short listed entries will be clearly cited on our blog and website in the future. This information was not included in our previous blog entry, for which we apologize. Staffing changes this January led, regretfully, to a few items ‘slipping through the cracks.’ Again, we apologize for this temporary oversight.

FEBRUARY 8: 2011 DESCANT/Winston Collins Prize

The Descant Arts & Letter Foundation Presents

An evening celebrating the 2011 Winston Collins Prize for Best Canadian Poem!

Tuesday, February 8th, 2011
7:30 – 10:00 P.M.
268 Augusta Avenue, Toronto

This free event is open to the general public and we encourage the entire Descant community to attend! Refreshments and hors d’oeuvres
will be served and a cash bar available.

Descant will present the 2011 Winston Collins Prize for Best Canadian Poem, celebrating its fifth anniversary this year. The prize commemorates the life of Winston Collins, a writer and enthusiastic teacher of literature at the universities of Cincinnati, Princeton and Toronto. The annual prize perpetuates his remarkable talent for encouraging self-expression through writing. The winner receives $1,000 in prize money, and two honourary mentions receive $250 each. They will be chosen by this year’s judges, writers Heather O’Neill and Michael Winters, from 100 submissions that Descant received from poets across Canada.

Please come join us in celebrating this exciting event! Readings and the presentation of the Collins Prize winner and runners-up will be featured.

For more information about the prize and event, visit:

DESCANT 151/Winter Reader Launch — February 8


Come join us for the Descant 151/Winter Reader Launch!

Tuesday, February 8th, 2011/ 7:30pm


268 Augusta Ave., Toronto

Descant is proud to announce the arrival of its winter 2010 issue, Descant 151/ Winter Reader, an eclectic ensemble of intriguing memoirs, a discerning essay, witty poetry, captivating fiction, and amazing artwork from some new and established talent in and outside of Canada.  Held at Supermarket in Kensington Market, the night will be filled with food and drink, as well as readings from our D151 contributors:  Giovanna Riccio, Linda Woolven, R. Brian Rigg and Elisabeth de Mariaffi.

Winter is a mixed season. Themes tend to vary from happy holidays with the warmth of loved ones gathered and fires roaring, to snow and ice, short days and long nights, and death. Poems like “Christmas Cacti” by Joan Crate and “Night” by Linda Woolven explore the various colours of winter, from the grays and silvers outside to the reds and golds inside. This season is also a time to reflect. With the lack of sunlight and warmth, it is only natural we are reminded of death. Touching memoirs by Brian Fawcett and William Kaplan reflect on Decembers past, the people they have lost, and what those people meant to them. But not all is dark and dreary: the approaching New Year brings hope for the future and the feeling of a fresh start. In this issue of Descant, we are reminded that it is just as important to look back as it is to look forward.

Don’t miss this important event!

You can catch a sneak preview of D151: Winter Reader, on our website.